资深生存主义者尝试在荒凉、危险的环境中生存21天。为了争夺有限的食物、水和住所，男性和女性都必须挑战人类耐力的极限，同时还要避开对地盘敏感的食肉动物和充满毒液的爬行动物。因为别无选择，竞争者们很快就了解了彼此以及他们周围的环境，他们还希望自己的本能、生存技能和勇气能很好地为他们服务。

　　把烦恼留给昨天，让早餐开启今天的希望。聚焦全国各地独具特色的早餐文化，覆盖近30个城市的传奇早餐店，以诙谐风趣的讲述方式，探秘深藏市井的中国晨起之味。

　　Discovery 艾爷（艾德·斯塔福 Ed Stafford）接受了一项任务，去探访地球上最新的谜团。由间谍卫星与国际空间站所拍摄的照片，显示出在地球上一些荒无人烟的地域，有着许多奇怪且难以解释的标记。从西巴布亚的巨大白色线条，到达纳基尔沙漠中的奇怪圆点，每一处标记都饱含着难以解释前所未见的反常事物。艾德将使出浑身解数，依托他在极端恶劣情况下的丰富经验，来揭秘其中的真相。

　　柏林电影节论坛单元　　An immersion into the rich landscapes of Sable Island and the life of Zoe Lucas, a naturalist and environmentalist who has lived over 40 years on this remote strip of sand.

　　这种独特的电影体验深入到一位艺术家的作品中，揭示了他的生活道路、灵感和创作过程。它探索了安塞姆对神话和历史的迷恋。过去和现在交织在一起，模糊了电影和绘画之间的界限，让观众完全沉浸在当代最伟大的艺术家之一安塞姆·基弗的非凡世界中。维姆·文德斯用两年的时间，以惊人的3D技术拍摄了这幅独特的肖像画。

　　An inside look at the parental outsourcing business for the super wealthy

　　从QAnon的兴起到1月6日的骚乱，《反社交网络》讲述了一群因孤独而聚集在一起的无聊青少年如何建立了一个在线社区，但在这个过程中却意外地打破了共识的现实。

　　《大抗战》作为一部纪录片集完整性、概括性和权威性于一体，本着实事求是、用史实说话的态度，挖掘出1000余小时由各国记录的战场原声影像、10万张高清真实照片，整理手稿、通讯、报纸文摘等重要文献千余份。以时间为经、以事件为纬、以人物为切入点，用新视角、新理念、新资料、新技术,对从“九一八”事变开始至日本投降的14年抗日战争，进行全面系统、客观生动的历史回顾。

　　匈奴，一个让人感到不寒而栗的名字，大汉帝国被匈奴人的长鞭抽打得血肉淋漓。死里逃生的汉高祖刘邦，选择以女人换和平。当汉武帝说出出兵匈奴的决定时，很多人的身体都抖了一下，他们想皇帝一定是疯了。8月24日晚20:00起 CCTV-9 纪录片《历史的拐点·汉匈之战1-2》。　　汉武帝力排众议，重用卫青。大汉军队兵分四路，讨伐匈奴，三路失利。卫青孤军深入，率汉军直捣匈奴王庭龙城，一举斩杀数百名匈奴人。胜利的捷报如同烈性白酒，沸腾了整个国家。8月25日晚20:00起 CCTV-9 纪录片《历史的拐点·汉匈之战3-4》。　　漠北之战汉军大捷，匈奴单于侥幸逃脱。李广部队在沙漠中迷路错失战机，李广用斩杀匈奴的战刀，杀死了自己。而这场旷日持久的战争，让大汉王朝的体力透支。8月26日晚20:00起 CCTV-9 纪录片《历史的拐点·汉匈之战5-6》。

　　James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?

　　Every summer, teenage girls from across Missouri spend a week building a government from the ground up. Coming from different ends of the political and socioeconomic spectrum, they all share a passion for reimagining the future of America. The filmmakers behind Boys State (T/F 2020) return to the world of teen politics to capture the 2022 program – the first time in history that Girls State and Boys State take place simultaneously on the same campus. With rumors of Roe v. Wade being overturned in the real world, the stakes feel higher than ever for these ambitious and dedicated young women. As the days unfold and rumblings from the Boys program make their way across campus, discontent begins to emerge over the disparities between the two. An exhilarating portrait of our political landscape and the pivotal issue of gender equality.